Structures of Black American Individuality and Philosophy for Musicians and their Listeners
Keywords:
Cultural, Expression, Occupational Science, Postcolonial, ResistanceAbstract
Rock music and acetabular society are a contentious place within modern culture, with individuals of the dominant mainstream typically stigmatizing them as an outgrowth of intrinsic gang as well as drug culture. Popular music and hip-hop movement occupy a contentious territory in modern American society. But in the other hand, this dismissal ignores the complicated political, socioeconomic, and geopolitical factors that have influenced the development and expansion of this form of creative expression. This essay argues that rock music is a resistant profession that allows disenfranchised Black American adolescents to express views and concerns that are frequently ignored by the dominant cultural, but that it therefore contributes significantly to Black American personalities and culture. The authors critically investigate the concept of "culture" in cognitive science, misinterpreting it via a postmodern lens that considers the influence of control, domination, and rejection in culture production. In order to support that viewpoint.
Downloads
References
M. S. Cummings and A. Roy, “Manifestations of afrocentricity in rap music,” Howard J. Commun., 2002. [2] A. Delavar and F. Forooghiyan, “Iranian social rap music, the developed individuality of the youth,” Eur. J. Soc. Sci., 2011.
B. Kopano, “Rap Music as an Extension of the Black Rhetorical Tradition: ‘Keepin’’ It Real",’” West. J. Black Stud., 2002.
E. H. Tyson and A. Mclaughlin, “Do Males and Females Report Similar Constructs of Rap Music? A Cross-Gender Validity Study of the Rap Music Attitude and Perception Scale,” 2012.
F. P. Delgado, “Chicano ideology revisited: Rap music and the,” West. J. Commun., 1998.
T. Cook, A. R. K. Roy, and K. M. Welker, “Music as an emotion regulation strategy: An examination of genres of music and their roles in emotion regulation,” Psychol. Music, 2019.
J. O’Donoghue, G. Egan, H. Moss, and A. Clements Cortes, “Participation in group music therapy: A preliminary study of the experiences and perceptions of adolescents who stammer,” Arts Psychother., 2021.
A. Hampton, A. Ford, R. E. Cox, C. C. Liu, and R. Koh, “Effects of music on behavior and physiological stress response of domestic cats in a veterinary clinic,” J. Feline Med. Surg., 2020.
M. de Witte, A. da S. Pinho, G. J. Stams, X. Moonen, A. E. R. Bos, and S. van Hooren, “Music therapy for stress reduction: a systematic review and meta-analysis,” Health Psychol. Rev., 2020.
A. Cabedo-Mas, C. Arriaga-Sanz, and L. Moliner-Miravet, “Uses and Perceptions of Music in Times of COVID-19: A Spanish Population Survey,” Front. Psychol., 2021.
A. van der Hoeven and E. Hitters, “The social and cultural values of live music: Sustaining urban live music ecologies,” Cities, 2019.
C. J. Schneider, “Culture, rap music, ‘bitch,’ and the development of the censorship frame,” Am. Behav. Sci., 2011.
M. S. Barrett, K. Zhukov, J. E. Brown, and G. F. Welch, “Evaluating the impact of a generalist teacher-led music program on early childhood school children’s singing skills and attitudes to music,” Psychol. Music, 2020.
O. McDermott, M. Orrell, and H. M. Ridder, “The importance of music for people with dementia: The perspectives of people with dementia, family carers, staff and music therapists,” Aging and Mental Health. 2014.
M. Anglada-Tort and K. R. M. Sanfilippo, “Visualizing Music Psychology: A Bibliometric Analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017,” Music Sci., 2019.
C. Schwehr and A. Zaldua, “Music and Language,” Contemp. Music Rev., 2020.
C. D. Fuller, J. J. Galvin, B. Maat, D. Başkent, and R. H. Free, “Comparison of Two Music Training Approaches on Music and Speech Perception in Cochlear Implant Users,” Trends Hear., 2018.
E. H. Tyson, “The rap music attitude and perception (RAP) scale: Scale development and preliminary analysis of psychometric properties,” in Approaches to Measuring Human Behavior in the Social Environment, 2012.
D. Herd, “Changing images of violence in Rap music lyrics: 1979-1997,” J. Public Health Policy, 2009. [20] J. Gilmore, “Chance Encounters: Rap Music as a Relational and Pedagogical Resource in Clinical Pastoral Education,” The journal of pastoral care & counseling : JPCC. 2018. [21] P. Izbicki, A. Zaman, and E. L. Stegemöller, “Music Form but Not Music Experience Modulates Motor Cortical Activity in Response to Novel Music,” Front. Hum. Neurosci., 2020.
A. E. Krause, J. Dimmock, A. L. Rebar, and B. Jackson, “Music Listening Predicted Improved Life Satisfaction in University Students During Early Stages of the COVID-19 Pandemic,” Front. Psychol., 2021.
E. Gökçek and A. Kaydu, “The effects of music therapy in patients undergoing septorhinoplasty surgery under general anesthesia,” Braz. J. Otorhinolaryngol., 2020.
R. Vaudreuil, D. G. Langston, W. L. Magee, D. Betts, S. Kass, and C. Levy, “Implementing music therapy through telehealth: considerations for military populations,” Disabil. Rehabil. Assist. Technol., 2020.
K. Hammou, “Mainstreaming French rap music. Commodification and artistic legitimation of othered cultural goods,” Poetics, 2016.
